Call for entries - 2014 John Fries Award

The 2014 John Fries Award is currently calling for entries. The entry criteria has been simplified this year, so if you consider yourself to be an emerging or early career artist then you're eligible to enter. 

John Fries was my father. He worked pro-bono for some not for profit organisations, including Viscopy as treasurer and board director. The John Fries Award was initiated in 2009 by the Viscopy Board of Directors and my family. Viscopy/Copyright Agency runs the award and the 2014 Finalists Exhibition will be held at UNSW Galleries CoFA in August. I'm currently on the Viscopy Board, chair the John Fries Award committee and on the judging panel.

To enter and find out more go to - entries close Monday 5 May 2014.

2014 John Fries Award call for entries poster (artwork by Svetlana Bailey, 2013 finalist)

John Fries, 1943 – 2009

John was born in Dehra Dun, India, 10 March 1943. He recalled his early childhood impressions of living in Calcutta with a Rudyard-Kipling-like magical aura. When India gained independence in 1947, the Fries family, along with most Anglo-Indian’s, felt compelled to leave India. After much discussion they decided to move to Australia and the family settled in Coogee. As fledgling fresh-off-the-boat immigrants, John and his brother explored their unfamiliar neighbourhood with glee, on land and in the water. John learnt to swim in the Pacific Ocean at Coogee Beach and Wiley's Baths – he became a strong swimmer and beach enthusiast for the rest of his life. John attended Coogee Boys Prep School then Sydney Boys High School, where his ambitious nature became apparent in his studies and competitive team sports, especially rugby and rowing. John's love of physical activities extended to skiing, hiking, kayaking and cycling – even in retirement he was meticulous about recording and besting his own personal times and distances.

John began his career in the finance industry as a commercial trainee with BHP, while holding down additional jobs and attending night school at UNSW where he gained an Honours Degree in Commerce. John met his future wife Vivienne when travelling to America in 1970. They subsequently had many adventures together, working and travelling both in the USA and UK, then touring Europe in a green kombi van, affectionately named The Flea - a cherished vehicle despite its numerous breakdowns. In 1974 they returned to Australia, married and had two daughters, Vanessa and Katherine. John and his young family moved back to London in 1984, where John was appointed the International Treasurer for TNT. During their four years in London the family embraced the city’s arts and culture, snowy winters and proximity to Europe - often travelling there for holidays. In 1988, the family moved back to Sydney, where John became Finance Director for MacIlwraith McEacharn. As well as focusing on his career, John encouraged Vivienne’s interests in pursuing university studies and charity work aboard, while he took over some domestic chores and responsibilities of teenage daughters. At this time John also became a Justice of the Peace, but whether that helped in family disputes is debatable. John was by then the National Finance Director for Vodafone, seeing Vodafone through their initial growth spurt as the mobile phone industry gathered momentum, 1993-2000.

John was a keen traveller for work and holidays throughout his life; visiting Papua New Guinea, Sri Lanka and South Africa; cycling in Vietnam, Tasmania and New Zealand. He chased the snow around the globe - skiing in the Dolomites, Pyrenees, Sierra Nevada’s, Japan, European Alps, New Zealand and The Rockies. John and Vivienne followed the Rugby World Cup to Europe in 2007, although he supported the Wallabies and Vivienne barracked for the All Blacks. They also spent many holidays in Vivienne’s hometown of Nelson, New Zealand, which became a second home for John. At 63 he undertook a much-anticipated intrepid adventure with an old friend, along the Silk Road from Beijing to Moscow. The following year John sailed across the Tasman, from Sydney to Auckland, part of a three-man crew captained by his mate from high school. John said this was one of the most physically, emotionally and mentally challenging experiences of his life.

As well as travelling, on retirement John became involved in Rotary focusing on fundraising for international projects, and was invited to become an independent director for a number of organisations, including pro-bono positions with Viscopy and the NSW Red Cross. In 2000, John brought his financial expertise and pro-active rigour to his work at the Red Cross. His commitment to the humanitarian principles and altruistic ideals of the Red Cross, lead to him being appointed NSW Chairman in 2007 and a Director on the National Red Cross Board. John received a posthumous Red Cross Distinguished Service Award in October 2009.
John’s unexpected and tragic death in 2009 deeply affected his family, friends and colleagues. Both NSW Red Cross and Viscopy established annual John Fries memorial awards in 2009. And in 2010, the Rotary Club of Darling Harbour completed their fresh water well project in Nimpith, West Bengal. It was dedicated The John Fries Memorial Well – as John had been pivotal in the fundraising for this project.

The John Fries Award for Emerging Visual Artists was jointly initiated by the Viscopy Board and the Fries family, in recognition of the formative influence that John had on the development of Viscopy. John was invited to join the board of Viscopy in 2004 because of his financial expertise and business skills. Although he had always been broadly interested in arts and culture, John’s interest in contemporary visual arts related mostly to his daughter’s art practice. As an accountant with extensive experience in the corporate environment, John’s contributions to the Viscopy board were anchored in his realistic and forward-looking attitude and his empathetic understanding of the financial challenges that face visual artists. The Fries family continues to work with Viscopy in building this award, commemorating John’s generosity and his pragmatic approach to supporting his family, friends and colleagues in developing their skills, exploring opportunities and pursuing their dreams.
Kath Fries, 2014

John Fries at the beach in 2006, photo by Kath Fries

RIGHTNOW - supporting artists resale royalty rights

I'm participating in RIGHTNOW - an exhibition of work by 100 Australian artists supporting the Artists' Resale Royalty Scheme. 

RIGHTNOW exhibition invitation, artwork: David Frank, Ngura.

RIGHTNOW9 - 27 April 2014
Boomalli Gallery: 55-59 Flood St, Leichhardt
Artists include: Adam Hill, Adam Norton, Alan Jones, Alec Baker, Anne Zahalka, Anthony Bennett, Anthony Lister, Arone Meeks, Atipalku Intjalki, Betty Muffler, Bronwyn Bancroft, Bruce Parker, Bugai Whyoulter, Chris Horder, Craig Waddell, Dadda Samson, Dan Hollier, Danny Eastwood, David Frank, Derek Thompson, Dianne Robinson, Douglas Abbott, Gloria Pannka, Gria Shead, Helen Samson Dale, Hilary Wirri, Ivy Pareroultja, Jakayu Biljabu, Jake Soewardie, James Drinkwater, James Guppy, Jamie Eastwood, Jason Benjamin, Jason Wing, Jasper Knight, Jatarr Lily Long, Jennifer Whiskey, Jenny Fraser, John Aslanidis, John Wolseley, Juan Ford, Judith Samson Anya, Julian Meagher, Kath Fries, Kerry Anne Robinson, Kevin Wirri, Laura Jones, Lenie Namatjira, Luke Cornish, Luke Sciberras, Mabel Wakarta, Maisie King, Mandy Martin, Marie Abbott, Mark Rodda, Martine Emdur, Matthew Johnson, Melinda Harper, Mervyn Rubuntja, Michael Johnson, Ngunytjima Carroll, Nicholas Harding, Nora Nungabar, Nora Wompi, Nyarrie Morgan, Peter Alwast, Peter Mungkuri, Peter Taylor, Petrina Hicks, PhilJames, Reg Mombassa, Remnim Alexander Tayco, Renita Stanley, Robert Boynes, Rosalind Tjanyari, Selma Coulthard, Tiger Yaltangki, Ungakini Tjangala, Whiskey Tjukangku and artists from the Tangentyere, Tjala Arts and Maningrida.

Please support the artists' resale royalty scheme by visiting the exhibition or signing the online petition

The Artist Resale Royalty Scheme began in Australia in June 2010, enabling artists to receive 5% income from their artworks when resold. The scheme was reviewed last year and it now seems that the current Federal Government wants to scrap it. One of the main reasons the scheme was brought into law was to support Aboriginal and Torres Strait Islander artists who often sell their artworks for very low sums of money - so while their artworks may have increased in value, the artists didn't earn any of that revenue. Many of these artists live in poverty while their artworks are traded for hundreds of thousands of dollars. 

Since the scheme began it has generated over $2.28 million in royalties for more than 820 artists. Indigenous artists have received 50% of the total royalties generated and represent 26 of the 50 artists who have received the most money under the scheme.