skip to main | skip to sidebar

Kath Fries Studio

Pulse

A site-specific installation for Castaways Sculpture Festival on Rockingham beach, Perth, Western Australia, May 2009. Recycled materials including second hand clothing, yarn, upholstery off-cuts, textiles and fabrics were bound into 20 meters of the existing fencing along the Rockingham boardwalk.







Pulse reflects on our rapid consumption of textile products driven by the fashion industry and the often ignored environmental impact of fabric production and post-production. The world's demand for synthetic fibers has nearly doubled in the last 15 years, causing the expansion of manufacturing energy-intensive processes that require large amounts of crude oil, producing harmful emissions and toxic waste. Driven by consumer demand for cheap, new, fast products the garment industry has a notorious reputation for sweat-shops, relying on low-paid laborers working in poor conditions. However, consumers appear to place little value on these products - dumping about two million tonnes of clothing in landfill every year.
Pulse suggests that human existence is bound to our environment even as we destroy it, how we can continue along this destructive tangent of blind consumption?






Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Newer Post Older Post Home
My home and studio are on the lands of the Gadigal and Wangal people of the Eora Nation. I recognise their continuing connection to land, waters and culture – and pay my respects to their elders past, present and emerging – acknowledging them as the traditional custodians of knowledge for these places.

Follow on Instagram

Follow on Instagram
to see works in progress and find out about upcoming events please follow my instagram @kath_fries

Kath Fries Artwork Portfolio

Kath Fries Artwork Portfolio
www.kathfries.com

About Me

Kath Fries
I'm an artist based in Sydney, on the lands of the Gadigal and Wangal people of the Eora Nation. My practice explores how our senses connect us to our surroundings, engaging with the immediacy of present time experience and the impermanence of existence. Working with tactile materials and embodied entanglements with place, my sculptural installations grow from a process of quiet observation to reflect on instability and fragility. By developing attentive focus and working with found, natural or everyday materials, I link sensate experiences of materiality and haptic thinking to evoke direct empathetic and palpable experiences of time, fluctuation and change. www.kathfries.com
View my complete profile

Blog Archive

  • ►  2022 (2)
    • ►  May (1)
    • ►  February (1)
  • ►  2021 (11)
    • ►  November (2)
    • ►  October (2)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (2)
    • ►  February (2)
  • ►  2020 (6)
    • ►  July (1)
    • ►  June (3)
    • ►  April (1)
    • ►  March (1)
  • ►  2019 (10)
    • ►  October (3)
    • ►  August (1)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (1)
    • ►  February (2)
  • ►  2018 (10)
    • ►  November (1)
    • ►  October (1)
    • ►  September (2)
    • ►  August (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (2)
    • ►  February (1)
  • ►  2017 (12)
    • ►  December (1)
    • ►  October (4)
    • ►  September (1)
    • ►  August (1)
    • ►  July (1)
    • ►  May (1)
    • ►  March (1)
    • ►  February (2)
  • ►  2016 (15)
    • ►  October (1)
    • ►  September (2)
    • ►  August (1)
    • ►  July (2)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (1)
    • ►  February (3)
    • ►  January (2)
  • ►  2015 (21)
    • ►  November (2)
    • ►  September (3)
    • ►  August (1)
    • ►  July (1)
    • ►  June (1)
    • ►  May (2)
    • ►  April (3)
    • ►  March (1)
    • ►  February (4)
    • ►  January (3)
  • ►  2014 (30)
    • ►  December (3)
    • ►  November (1)
    • ►  October (3)
    • ►  September (3)
    • ►  August (2)
    • ►  July (1)
    • ►  June (1)
    • ►  May (2)
    • ►  April (2)
    • ►  March (3)
    • ►  February (5)
    • ►  January (4)
  • ►  2013 (38)
    • ►  December (3)
    • ►  November (5)
    • ►  October (2)
    • ►  September (3)
    • ►  August (5)
    • ►  July (1)
    • ►  June (3)
    • ►  May (3)
    • ►  April (6)
    • ►  March (3)
    • ►  February (1)
    • ►  January (3)
  • ►  2012 (76)
    • ►  December (1)
    • ►  November (12)
    • ►  October (16)
    • ►  September (9)
    • ►  August (4)
    • ►  July (5)
    • ►  June (9)
    • ►  May (2)
    • ►  April (1)
    • ►  March (10)
    • ►  February (5)
    • ►  January (2)
  • ►  2011 (49)
    • ►  December (4)
    • ►  November (6)
    • ►  October (12)
    • ►  September (5)
    • ►  August (3)
    • ►  June (2)
    • ►  May (2)
    • ►  April (4)
    • ►  March (4)
    • ►  February (5)
    • ►  January (2)
  • ►  2010 (35)
    • ►  November (4)
    • ►  October (4)
    • ►  September (3)
    • ►  August (4)
    • ►  July (8)
    • ►  June (3)
    • ►  May (3)
    • ►  April (2)
    • ►  March (1)
    • ►  February (2)
    • ►  January (1)
  • ▼  2009 (30)
    • ►  December (2)
    • ►  November (13)
    • ►  October (3)
    • ►  September (1)
    • ►  August (1)
    • ►  July (2)
    • ▼  June (2)
      • Skid-marks
      • Pulse
    • ►  May (2)
    • ►  March (1)
    • ►  February (3)
  • ►  2008 (15)
    • ►  November (1)
    • ►  October (1)
    • ►  September (1)
    • ►  August (4)
    • ►  July (1)
    • ►  April (2)
    • ►  March (1)
    • ►  February (3)
    • ►  January (1)
  • ►  2007 (31)
    • ►  December (2)
    • ►  November (4)
    • ►  October (25)

Search This Blog

Followers

Links

  • Kath Fries Portfolio www.kathfries.com
  • Gunyah artist-in-residence
  • John Fries Award

Other blogs

  • Gunyah artist-in-residence program
  • Ultimo Project Studios
  • Tanya Ljubic
  • ARTICULATE
  • caelli jo brooker
  • The Artist as Family
  • Kath Fries Studio
  • Martha L. Mcdonald
  • exhibitions in sydney
  • badskirt
  • an art teacher in China
  • michele morcos
  • golden smith
  • aly de groot
  • Hill End Press
  • robert iain mchaffie
  • michelle genders
  • Tom Polo
  • HILL END ARTS COUNCIL
  • The Pleasure of Tiny Things
  • zoe brand - artist
  • meggs yeo
  • [art]iculate
  • Land Art Mongolia
  • The Pandora Group: six women artists
  • kathryn ryan
  • Peanut Butter and Chocolate Cups
  • Kowarsky and Imazu
  • Rochelle Summerfield
  • slot
  • Betra Fraval
  • Waving From Here
  • Accelerator Gallery
  • Damien Minton Gallery
  • crochet coral reef
  • Megan Cope
  • Sangeeta Sandrasegar
  • Michelle Brodie
  • rebecca jane armstrong
  • Alex Pye
  • karen woodbury gallery
  • Aferro Studios
  • the post post
  • Giselle Stanborough Art
  • mel young
  • alternative destinies
  • Hannah Bertram Studio
  • claude jones
  • art out there
  • the small studio
  • Troy Emery
  • AnOtherCircle
  • PODspace gallery
  • Art Walk in Rumsey Rose Garden
  • art info ink
  • Bill + George
  • The dark tea time of the soul
  • jonathan james
  • made. in Sam Rit
  • The Hunting Box Party
  • Six Jars
  • gaffa
  • Y3K - exhibitions
  • Parlez Vous Art?
  • hell gallery
  • a collection a day
  • chrissie ianssen
  • art vend
  • scrubbing plastic
  • le fil
  • queen and country - exhibition
  • lure, allure, illusion
  • sculpture in the vineyards
  • agatha gothe-snape
  • la maison de mille plateaux
  • Peta Dzubiel
  • Metalab and COTA
  • HELEN EARL STUDIO
Show 25 Show All